The Ancient Art of Filipino Hand and Foot Fighting
















History

Maharlika Kuntaw is the product of over 3000 years of cultural trade and diversity.

The island chain now known as the Philippines has served as a unique social melting pot for centuries. From Islamic missionaries and Chinese sailors, to Spanish Conquistadors, the Philippines have endured countless invasions, yet forever persevered by means of assimilation.

This tenacious ability to adapt and yet preserve that which is most effective, can be observed in Maharlika Kuntaw's historical roots and continues today.

Originally descended from a Chinese thread, but heavily influenced by Indonesian and Malay styles, modern day Maharlika Kuntaw can be traced back to the southern Filipino island of Mindanao. Before the Spanish occupation of the Philippines, Maharlika Kuntaw was practiced openly by the elite ruling class inhabitants of Mindanao Island. Following the weapons ban and turmoil of later spanish influence, a man named Yuyong Henyo Lanyada moved to the central island of Luzon. Yuyong brought with him the bladed weapons techniques and fighting concepts of Maharlika Kuntaw. Yuyong was later forced to change his last name to Lanada following the 1849 Decree of Cognomen, which forced Filipinos, in Spainish dominated provinces to adopted Spainish surnames. The same decree also carried the order that allowed people practicing native fighting arts to be punished by law.

Eventually this ban extended to include all forms of martial practice. Consequently the masters of Filipino arts, such as Yuyong Lanada, were forced to study their respective arts in a manner hidden from public view. The sword was replaced with the stick, and fighting techniques were hidden within dances. In this way, fighting arts could be openly practiced, yet still remain hidden from view! All the while lethal combative methods were practiced directly under the noses of the Spanish ruling class.

From generation to generation, Maharlika Kuntaw has passed from Mindanao's tribal elders through Yoyong Henyo Lanada to his great grandson, Carlito A. Lananda. Through the ages, traditions, and former ceremonies associated with religious value have disappeared due to Kuntaw's former underground nature, but the basic concepts regarding self defense and scientific body movement continued to be refined to today.

Philosophy of Kuntaw

For a person to be complete and at rest with themselves, they must find a balance; Health & sickness; joy & sorrow; love & dislike. If the body is in fine health, then the mind may function skillfully and quickly. The body is the form and the mind, which is the spirit, is the actual moving force.

"Never too little, never too much, only that which is necessary"

Do not criticize, be patient, kind and understanding to your fellow Kuntawistas as well as others.


Honor

Unlike Japanese, Korean, or Chinese Martial Artists, Filipinos do not bow their heads to their instructors. This is not a sign of disrespect, it is a sign of difference in cultures.

In Japan, Korea and China the average person was considered to be inferior to governors, soldiers, educators and emperors. It was not uncommon for a soldier to cut off a commoners head if it was felt that the commoner did not bow down low enough. In the Philippines, no such culture existed, bowing was not the recognized sign of respect, as everyone felt that they were/are equal to one another.

The general salute/honor or greeting is the right hand is held over the heart then is placed over the left closed hand, about stomach level in front of you. At the same time, your hands meet, you are stepping your left foot out to the side. Then, you bring your left foot back to your right foot, place your hands to your sides.

In meeting a teacher or respected friend the handshake was used with the left hand on the back of the other person's hand.

The Honor means "Friend (open hand) or Foe (fist) - you be the judge". It also means "I come to you with an open mind to grasp the knowledge you have to offer.